Here are two new Synthonyms one is a well known drinking trough and the other is just the other meaning for a well known banking lubricant. Enjoy regards Arto.
I actually own a copy of the magazine Modern Mechanix and Invention, July 1934. This great magazine has the article that has been many times around the internet but as a poor resolution scan. I have rescanned these 6 pages so you can enjoy them as clear copies. I did these a while ago, so excuse the misalignments, also the paper is yellowing and the spine is raggedy. Please enjoy, regards Arto.
This is the PDF file if you want to download it : ModernMech-1934-Tesla
I would like to thank the editor from MAZ for producing an excellent online magazine devoted to Artists, Writers and Poets. She has a section devoted to my work in this issue, please support this great zine. Regards Arto
Hi Fellow researchers ,
Adam Bull has released a 4 Hr interview on Youtube, it is informal and free flowing, about my book “Talking to the Birds”.
Here is the Link-
Here is the Press Release:
After many years of research, personal discovery and seeing the world through the perception of an Artist, one who by his very nature must understand something very deeply before he renders its likeness, Arto Heino has released his first volume “Talking to the Birds”. The subjects covered in his book are as varied as his pallet, he shows a different perspective about each subject he studies. Volume I, A compilation of his best works, you will see the many different hats he wears as he sifts through a broad spectrum of knowledge with a profound insight into several pieces of hidden information ignored by most other researchers.
To understand the author of this work is to peer into layers of understanding that have not been lifted in most researchers lifetime. In the chapter on Archeo-Astronomy Arto looks at some of the basic assumptions about the nature of man’s history and came to some simple conclusions, the evidence he uses is not a rehash of another theory but new and startling revelations about the cyclic nature of our consciousness. The artist and writer Arto Heino shines the light where few others have on past ancient artifacts and current sciences that should give you a new way to see the past.
As a young child, Arto found meaning in natures chaos and his deep connection to some of its hidden attributes long before he articulated his understanding to others. Books gave him one of the tools to peer into history and find those who could help him guide his vision, great artists like Leonardo Da Vinci took him to a simpler way of personal scientific and artistic discovery. To show some of what he has learned from the master he gives a brief insight into one of Da Vinci’s more famous artworks.
The lure of electricity is never far from his thoughts, he has several chapters that deal with Electronics, Invention and Machines they cover some of the most important works of Nikola Tesla. Arto shows his own artistic method of understanding the circuits of Tesla and removes a lot of the mystery that surround his work. The circuit models by Arto are more like artworks that have a landscape of parameters and clues to other possibilities. He pries into some of the mystery that surrounds the work of Lester Hendershot, Don Smith and Henry Moray, giving new insights that could help to guide other researchers to new conclusions.
The nature of the geometric abstraction is not just pretty patterns like most modern conveyors, to Arto this is where you can find a deeper connection to the sciences. He sees a simple form such as a triangle as a new beginning to a new and non-complex form of mathematics, Quantum Arithmetic. As he implies he is only expanding on something that the geometers have tried to bury, Arto shows some of his studies in Quantum Arithmetic and the expansion of a new type of geometric discovery, where he applies it to the Giza pyramid, the Kings chamber and an Egyptian artifact that has alluded many archaeologists and geometers for the past 80 years.
The surprise in the book is not just his varied perspective of technology but in one chapter Arto lifts the surface off our modern paradigm, he includes some of his more popular cartoon images to highlight the high paced and disturbing reductions of our elite. Arto as an artist and a musician gives those inclined an interesting group of studies.
If you would like a copy of the book -
Also Available from -
I have been making pancakes for about 50 years, the refinement process is such that the taste, texture and visual appeal is one of a special and personal experience as I call it, “The Art of Pancakes”. Many different ingredients, such as wheat flour, oats and corn and many different outcomes, still there was one more challenge, the gluten free and dairy free panny!
Ha you say, what will come of this misadventure, I turn in victory after many failed lumps of crumbled masses, “The Paleo Pancake”, the only difference is that it actually tasted better!!
Here are the ingredients:
2 cups Tapioca Flour(organic)
1/2 cup Almond meal
1/4 cup Coconut Flour
1/4 teaspoon Xanthan Gum
1/4 teaspoon Himalayan salt
2 Eggs(free range)
400ml Water (bottled, no chlorine or fluoride), this quantity is approximate, it depends on the quality of your ingredients.
10 teaspoons Coconut Oil(organic – white , solid at room temperature)
mix all the dry ingredients together
Add water and eggs
mix until smooth, no lumps
add one teaspoon of the solidified coconut oil in the pan let it melt so it is clear before each pancake
the batter will tend to droop into small islands so pour carefully from the ladle in one smooth zig-zag action.
cook until top of batter starts to solidify, then turn over until golden.
This mix should make about 10 medium size pancakes.
Now I can be happy and enjoy my new turn to healthy eating without losing one of my personal favorites, good luck and enjoy Regards Arto
“Talking to the Birds”, by Arto Juhani Heino, Volume I, is now available on Amazon.com, 12 Chapters, 356 pages over 250 illustrations and over 70 charts. A diverse compilation of essays, studies and illustrations in the underlying designs and principles behind some of the Arts, Sciences and with some social commentary, taken from an Artists perspective on the world he studies. A book where Art, Engineering and the ancient world meet. Highly illustrated , with artwork, numeric tables, geometries, designs and schematics. It has sections on Tesla, Hendershot, Don Smith, Moray, Sixto Ramos and Ucros. This is Volume I, Volume II is being complied at present.
Here is a pictures that shows some of the backlog in hand written books waiting to be converted to material for next couple of volumes.
I would like to thank all my readers and those who have helped me to bring my work to the public, I am working hard on the next couple of volumes. Watch my blog for some interesting new articles. Regards Arto.
Here are some new Synthonyms with a few well known companies that are run by crooks. Some who love to feed us genetic poison, some who would love us to ruin our health with junk food and others who pay their employee next to poverty rates while importing slave labor made goods from 3rd world countries. Enjoy regards Arto.
I have decided to make a new blog rather than updating an older one, refer to http://artojh.wordpress.com/2012/08/24/multi-filar-coils/. I would like to thank Andy, he has prompted me to finish my chapter on coil geometry, with a new heading of Magic Square Coil Form. Back in 1996 I was working hard on winding many stator coils for the Robert Adams pulse motor designs, when I realized the few coils I wound in bifilar geometries seem to function with non linear results. This is when I discovered the varieties of subtle refinements that could be engineered into a basic system, that can give measurable increments of control over the energy storage of the coil while it is pulsed.
Estored =1/2 * L* I^2 = Energy in Joules stored in the Inductance
Estored = 1/2 * C * V^2 = Energy in Joules stored in the Capacitance
I chose the Magic Square of Four as the prototype for the coils design, refer to the first diagram that reveals my logic in a simplified form. The left stator coil is the left half of the Magic Square, this is how magic squares work mirror reflections that balance the numeric relationships to create harmony, where the wiring is now the pathways that have both Inductance and Capacitance is the same internal geometry as a magic square, the right stator is now the right side of the magic square.
To understand the significance of creating chaotic systems that the outcomes cannot be easily predicted, is to look into the heart of a living organism. The number of square four arrangements available to the constructor becomes 880 basic Magic Square Four patterns. If you expand the system you could have 4 coils each with a complete magic square arrangement giving you millions of 880 combinations. The design parameters can be expanded to include odd squares and very large magic squares. The coils could also be split into the columns and rows giving you say 5 coils each with a in 5 and out 5 winding scheme, this will give you 25 separate wires that give you a square 5 arrangement.
The main criteria for any success is to keep all wires coming from the stators the same length and short as possible, a circuit board design would keep any stray Inductance and Capacitance to a minimum. A small circuit board could be at both ends of the stator with holes matching the wire ends and another attached between the stators, where you could mount a patch board or a special wire coil arrangement that Andy suggested. The environmental energy that exists in a chaotic form surrounds every object, a tumult of electrostatic, EM radiation , heat, dielectric charge fields and magnetism, this energy is not available to be absorbed into the circuit unless we can create a couple to its random behavior, and make a gate so the circuit can make use of it. This is the basis of a natural system based on natures gift to humanity Magic Squares, they are but discoveries of a natural system of numbers that can be translated in many different ways. The chaotic nature of magic squares gives you the invisible harmonic coupling that needs to exist in a cyclic system of energy exchange, the gating can now be engineered in the form of magic squares.
Here are the latest additions to help those who want to explore unknown territory. Regards Arto
This next diagram should help you expand the possibilities of the simple methods I have inaugurated .
METHOD OF INTENSIFYING EFFECTS TRANSMITTED THROUGH NATURAL MEDIA
When Nikola Tesla designed his transmitting and receiving circuits he needed to also design a way of testing his inventions so he could confirm the signals were really being sent as he predicted. In this design he had no diodes, no valves , no transistors, not even a coherer was needed. To grasp his inventiveness, the rotating commutator was his switching scheme, capacitors and inductors would shape the waves while commutators would allow some novel logic to be directed towards his goal of intercepting the nature of his transmitting apparatus.
In a previous blog I showed how Tesla uses a commutator to create one of his early Tesla coils systems(Patent 583953). If we hope to utilize the natural media, either through magneto-dielectric ground conduction, using elevated radiators or other methods yet to be explored, the need to dump a lot of modern assumptions about the intervening space which for a better word is the Ether.
This medium is currently used as a free for all, highly directed, frequency partitioned, corporate sponsored, , high frequency radiation smog. The industry is full of corporate appointed experts that have no real understanding of the sacred nature of our living environment, they are just trolls for life damaging ignorance. If our vision had an extra couple of octaves added below what we can see, the reality of what is happening to our living system would become clear, you would be virtually blinded by our artificial bands of communications, not just mobile phones, blue tooth and radio but your computer and all of your personal technology would glow with radiations covering a few octaves.
The disappointment Tesla would have in our current use of wasteful Hertzian radiations would not only be his but many others who have not been indoctrinated via Einstein to a science devoid of reality and based on mathematical models that are nothing more than a patchwork quilt made from sterile assumptions by compromised career theoreticians steeped in metaphysical symbolism.
To recover what has been lost we must give our creative spirit a boost by allowing to revert back to more primitive methodologies so we can gain fresh insights to a lost form of electrical engineering that was present about 120 years ago, where the Ether was considered a medium rooted in reality. The circuit that Tesla designed is best described by his Patent descriptions in is own words.(extracts only)
Refer to Patents
US Patent 685953 , 5th November 1901
US Patent 695955 , 5th November 1901
US Patent 787412 , 18th April 1905
CA Patent 142352 , 17th April 1906
This arrangement consists of a cylinder A of insulating material, which is moved at a uniform rate of speed by clockwork or other suitable motive power and is provided with two metal shafts B and B1, upon which bear brushes a and a1, which are connected, respectively, in the manner shown to the terminal plates P and P1, above referred to.
From the rings B and B1 extend narrow metallic segments s and s1, which by the rotation of the cylinder A are brought alternately into contact with double brushes b and b1, carried by and in contact with conducting-holders h and h1, which are adjustable longitudinally in the metallic supports D and D1, as shown. The latter are connected to the terminals T and T1of a condenser C, and it should be understood that they are capable of angular displacement, as ordinary brush-supports.
The object of using two brushes, as b and b1, in each of the holders h and h1 is to vary at will the duration of the electric contact of the plates P and P1 with the terminals T and T1, to which is connected a receiving-circuit including a receiver R and a device d of the kind above referred to, which performs the duty of closing the receiving-circuit at predetermined intervals of time and discharging the stored energy through the receiver.
In the present case this device consists of a cylinder d, made partly of conducting and partly of insulating material e and e1, respectively, which is rotated at the desired rate of speed by any suitable means. The conducting part e is in good electrical connection with the shaft S and is provided with tapering segments f and f1 upon which slides a brush k, supported on a conducting-rod l, capable of longitudinal adjustment in a metallic support m.
Another brush n is arranged to bear upon the shaft S, and it will be seen that whenever one of the segments f comes in contact with the brush k the circuit, including the receiver R, is completed and the condenser discharged through the same. By an adjustment of the speed of rotation of the cylinder d and a displacement of the brush k along the cylinder the circuit may be made to open and close in as rapid succession and remain open or closed during such intervals of time as may be desired.
The plates P and P1, through which the electrifications are conveyed to the brushes a and a1, may be at a considerable distance from each other and both in the ground or both in the air, or one in the ground and the other in the air, preferably at some height, or they may he connected to conductors extending to some distance or to the terminals of any kind of apparatus supplying electrical energy which is obtained from the energy of the impulses or disturbances transmitted from a distance through the natural media.
So I hope this gives clarity with fresh drawings to one of Nikola Teslas favourite receiving circuits, the one that gave him impetuous to carry out bolder experiments and to him verify the World Wireless System as a possibility not just a dream. Regards Arto.
I have recently released some more material on the Energetic Forum, this was in regard to my Tesla Transceiver design concept on one of my previous blogs. I am an artist who must understand the medium I work with, be it paint, clay, chalk, numbers, musical guitar strings or electricity, in them I have developed and followed simple methodologies, one of observation, study, imagination, testing and analogy. I was developing the short form Tesla Transceiver about 2 years ago, limiting it to 1 Kilowatt and 8.16 Kilometer transmission for use in farm land and difficult terrain where power-lines would be an expense beyond the return of the investment. I built an early prototype that was to transmit 100 watts at a distance of 680 mtrs, this to me seemed a reasonable first step and a plausible engineering feat. As my financial situation was only meager, the Tesla oscillator was put together from salvaged microwave parts(MOT/Caps) and 25 ltr/300mm bucket and 100 mm Pvc, the primary was welded aluminum strip. The unit was rough and cheap, this was a slow and painful first step as I would rather have designed from ground up caps and all. Here are some pics of the build.
I also designed and built an air core variable capacitor of massive dimensions that could handle 7500 volts, this was so I could fine tune small transmissions and receptions. The small imperfections on the plates reduced this to 6000 volts safely, I only required 3000 volts so this was an acceptable limitation.
Here is another picture about the time I was testing the Crown coil, by then I had revamped many refinements and tested many tertiary coil set-ups, I had used 3 different types of tertiary coils and found they all behaved in a unique mode. The Crown Coil was an inspiration that made me design completely new ways of getting the most from harmonic nuances.
As I have no longer any more funds to continue with the Tesla Transceiver Project, I am releasing some information that might help those who could take it further.
And here is the Longitudinal Dielectric wave description that I conceived as a way to start engineering the Tesla Transceiver Project.
I hope you can understand my descriptions as so much rubbish has been written about the Magneto-Dielectric wave, you must relearn all your radio antenna radiation techniques so as to NOT transmit radio waves, this is just like a leaky pipe whistling in the air, all loss, all radiation very little to recover, if it were not for amplifiers you would never pickup any signal. The Tesla system is a natural conduction of Magneto-Dielectric Longitudinal polarizations of charge that has no transverse component, why everybody assumes that the Schumann Cavity resonant mode is part of this system baffles me. Teslas Wardenclyffe system has a component that could be used for the earth ionospheric cavity, but this is only one aspect of a complete world wireless system of communication and power transmission that has as its main form of transmission the Magneto-Dielectric Longitudinal conduction through the Earth.
I would like to thank all the kind readers, if you like me to continue to try and complete the Tesla Transceiver Project that I have shown here in my brief descriptions you could donate via Paypal, all this information and more is in my book “Talking to the Birds”, Thank you Regards Arto