The Induction Computer Part 4

October 17, 2017

The Induction Computer Part 4

by Arto Juhani Heino (c) 2017

I am back from the wilderness, the experiences of Spring has overwhelmed my Audio and Visual organs, natures beauty is beyond any simple description. The last post I never mentioned the Trinary system that took my designs closer to a complete new type of thinking to develop a Trinary ALU, much more interesting than the Binary approach. Here is the 555 timer I promised from the last post, it is closer to a build-able relay design than my first prototype.

I didn’t show any parameters for the Basic Logic Cell. Here is my sizes and reasoning:

The Basic Logic Cell – Logical Unit

Working from the true measure the Royal Cubit approx 523.24mm, rounding to 525mm. The Palm is four fingers and seven palms make the Royal Cubit.

75mm x 75mm Sqr (aprox 3″ x 3 “)= 1 square Palm.
18.75mm Thick(rounding to 19mm, aprox 3/4” ) = 1 finger thick.

This was why I chose the Ancient Royal Cubit, when you measure the longitudinal velocity of light in royal cubits equals exactly 900000000. Thus it is the exact measure of the Royal Cubit.

Velocity of Light = C
= 299792458 mtrs sec
Longitudinal Velocity of Light = Pi/2 x C
= 1.5708 x 299792458
= 470912891.8272 = CL
Therefore
= CL/900000000
=470912891.8272/900000000
= 0.5232365 Mtrs
= 1 Royal Cubit

This means all your measures you use on materials is concordant to a universal standard, so by coordinating Electrical, Sonic and Hydraulic wave forms in your Logical Unit, all the impedance issues would be known, thus engineer-able.

The Universal Binary Engine

To complete my journey back to relays here is one draft of the Universal Binary Engine, it was designed to be used with a rotary commutator in mind, I was considering the technology of 1900 and the implementation of the Tesla tower as a the hub of computing the Longitudinal Ground Wave communication traffic he would have had to encounter if his tower was finished. Here are my preliminary data covering the commutator and/or relay computer. I have dubbed it “The Universal Binary Engine“, it has motoring logic built in, so a rotating system is viable, a whole new way of conveying intelligence through simple matrix connections with commutators , setting up codes for binary transmission in as many bits as needed. This would be similar to the type of computer switching system Tesla could have worked out during his Wardenclyff period, to direct the control of a complex communication system, with subscribers numbering into the hundreds of millions, not bad for pre-transistor or valve era. Each bit would be just another commutator in rows of switching array commutators, this way you can accommodate large address locations on the globe using a whole wave node number(Earth circumference wave number derived from the frequency of operation) and the directions NSEW as your location matrix. I have a vision in my mind regarding the operational frequencies and mechanical rotating frequencies to make such a system operate as a World Wireless System (NOT Radio), here is a draft PDF of one of my ideas. Here.   As this was about laying the most simplest wiring and layout, where you could his own switching systems as per Patent 685953, as illustrated in my Volume I, page 343. I always draft my original designs by free hand sketches and hand written work books, while I  am design the Trinary version as well this way, I only draw my work on computer long after I have cleared up any mistakes, either physically tested or carefully worked out on spread sheets.

Trinary

Here is list of the first 6 Trinary single input logic gate operations, there are more that I will list shortly.

The Switch is of great importance here, the three distinct actions are of a greater Logic to apply than just on and off. The beginning of a decision tree within the three way action, yes, maybe, no. Where most will see the “0” as a null action it is a vital internal pivot to allow a current flow in be diverted for other operations, as you will see in these basic two input relay gates.

The design scheme was very involved, looking at history and to develop a version that was simple and functional, as my earlier designs show we can still lose the battery and use magnets. The next few gates tested my underlying geometry as a square 5 internal layout.

I have completed the Or, Nor, Xor and Xnor  gates and the many other possible logic gates have been noted and configured for future design steps.

The ideas for using the new found parameters available haven’t been explored in the main stream forums as yet, it is not so much the answers they can provide but what are the questions we need to ask and what solutions these gates can provide, we are looking for problems that need solving, this is what will propel these ideas forward.  Here is the third page of the steps to arrive at a simple Trinary system with only batteries, switches and leds.

This table below shows some my more interesting breakdown of Logical Gates and new concepts of interaction with the extra three Logical operators to complete  another Axiom to investigate.

(18×18)/2 = 162

162 approximates PHI

Thus in an abstracted manner, I am applying natural arithmetic, with a golden Ratio as its final Sum.

I am still working on these and will add another post soon, Regards Arto.

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The Induction Computer Part 3

July 25, 2017

The Induction Computer – Part 3

by Arto Juhani Heino (c) 2017

From my last entry I hinted at a 555 relay emulation, I am not quite their yet, I am getting close though. Here is my current stage I am on at the present moment.

I needed an ALU to start things of, so I started on the Half-Adder as a building block, here is my iterations.

The next step is the Full-Adder and its first few iterations from Logic Gates.

Lastly I have included a simple idea of how some of these could be interpreted in the 3D world, more to come on this aspect in a future blog.

If your response is high enough, I will start a Patreon account and begin building the real thing, regards Arto.

The Induction Computer Part 2

July 8, 2017

The Induction Computer – Part 2

by Arto Juhani Heino (c) 2017

It looks like I am reinventing the wheel, minus valves and transistors, this work might even seem redundant to some of the techno-nerds. I assure you this is a step forward, there has been no time in the last 50 years that all those electronic enthusiasts have been able to simplify and create something without an official corporately designed IC package doing all your brain-work for you, leaving nothing for your own original imagination. I was very excited many years ago when many hobbyists made their own computers from discreet transistors and IC packages, while a few even made some relay ALUs.

While I thought of making my own CPU from relays but resisted, I first needed to create a new architecture that could incorporate an open 256 bit CPU and a Analog CPU  in one package, while still accessible enough to be built by hand. This was part of my goal, as the architecture had to be robust, to last 1000 years, the components were to be the built environment and the power to drive it should be available 24/7, sounds like a pipe dream of some mad scientist. I only dare to dream of its reality and decided to rediscover the simplicity and the basic technology to make it plausible. The idea of using stone to contain the complex logical matrix that can be accessed via simple interfaces is the final reality, the many steps to arrive at that outcome might outstrip my lifetime, still I will persist, as I cannot dismiss a vision that is clear and within the realms of possibility.

Enough of my machinations, here are some interesting and practically solved devolutions of known devices from my last posting. Here is a FlipFlop made from two relay NAND gates.

While the idea of a Operational Amplifier kept me awake for a night of two, I hope to emulate a 555 IC chip from my work here, just in time to compete a chapter in my Volume II.

This version should satisfy many of its Integrated Chip operations, still it is a crude and very fundamental design, useful to be expanded upon with a bit more work. I must repeat, I am not an electrical engineer and I have no degree from any University, I  am truly a ground up natural scientist, where my tenets of understanding come from a life time of artistic creativity with careful observations and practical applications. I hope those who are interested can learn much from my ideas. Regards Arto.

 

The Induction Computer

July 1, 2017

The Induction Computer

by Arto Juhani Heino (c) 2017

Here are some interesting combinations using relays as logic gates, which was where I began this first step into the Induction Computer.

As you can see I have “single relays” and “double pole relays” and “Latch relays”, an old technology that goes back to the beginnings of the study of electromagnetism in the 1800’s. My studies into remnant magnetism of different materials, brought me into an understanding of natural rocks and the possibility of using either “Granite”, other rocks or even a poured casting as a magnetically imprinted “Logic Matrix Array”, storing functions, complex procedures, information and even pictures, videos and music.

In the Voltage Multiplier I have even eliminated any semiconductors, even diodes and batteries, while only using coils, capacitors, magnets and relay operations. You can see my process of elimination and the final schematic being without any high tech micro components.

There are a few parts to make the whole system function, here are some of the descriptions for the Voltage Multiplier.

The Slab that must have
1 Remnant Magnetism within permissible limits
2 Flat Surface, possibly engraved for descriptive and functional reasoning
3 Location keys for Imprinter and Reader

The Matrix Imprinter
1 Magnetic Array
2 Electromagnetic Array
3 Reset and Wipe function

The Induction Reader
1 Layered Switch Array
2 Geometric Coil Matrix
3 External Switches/Buttons and Levers/Handles arced or rotary

Physical Actions of Operator
1 Generate Voltage
2 Instigate Switch Operations
3 Discharge to external device

As this blog article is only to describe some of my work, it is not the whole article, that you will find in my next volume of “Talking To The Birds” Volume II. If the interest in these ideas are popular, I would consider a FundMe or Patreon profile and begin the arduous progress of a working system , regards Arto.

Artext Poetics

June 5, 2017

Here are a few poems that I recently published on All Poetry, I have also added the titles in my freshly minted writing system “Artext”,(note – the spelling offence is deliberate), regards Arto.

 

Gene Soul

by Arto Juhani Heino

 

My creator speaks to my genes
I find it accompanies my dreams

My Eyes find harmony in my creations
My mind is free to allow such beautifications

Do we question our being when nature is our designs
Have we a soul in our frame or is it us genes who finds.

 

 

The Blinded Book Face

by Arto Juhani Heino

 

Nary a whimper,
A glimpse of cognition,
Only blank stares,
And mindless glares.

This is the breed that
has been corralled.

Only opinions and echos,
Sad delusion of plastic civility.

 

Prediction of Offence

by Arto Juhani Heino

 

Quite words of solidarity,
Angry voices of peace.

Vicious attacks on piety,
Whispers for genocide.

Am I blinded by darkness,
When depths are so high.

Pander the cruelty,
Bury the kind.

 

 

 

A Clear Perspective of Co2

June 1, 2017

Here is a reasonably accurate volumetric equivalence for man made Co2, which in the true scale of natures processes is an insignificant amount and of no concern to our future, cows fart far more green houses gases than mankind makes. Pollution of our food and local environment should be of more concern than a natural gas that is required for our living system. Historically the Earth has had many more times the Co2 than the present by many factors of scaling. Regards Arto.

Fake News

February 9, 2017

I have stopped watching my TV about 15 years ago and I have been feeling ill about watching “Liberal” Fake News channels the last 8 years, the ones come to mind from America are CNN, NBC and ABC. The list very long which should include Australian junk like ATN, TCN and TEN they all pander to a mental delusion of what News really is. Not only the News channels but Facebook is full of posts that come from the same fake and dubious “Main Stream Media”. Here are some graphics that came out of this distaste and the inspiration from a direct and honest portrayal of MSM by the wonderful President of America, Mr Donald J. Trump.

I will add more to this post as time goes, regards Arto.

cnnfake1c

fakebook1b

abcusafake1a

 

 

 

Arto on the Walk – Day 5 to 6

October 15, 2016

Promo –

Art On The Walk, at the Henry Deane Plaza Monday 10th – Friday 14th October between 8.00am-7.00pm. Over the week follow each work of art on facebook.com/henrydeaneplaza and get a chance to vote for your favourite artist at henrydeaneplaza.com.

Day 5

The day was fine and slightly windy, my drawing was bombed with bird dropping at least 6 times, much cleaning and adjustment was needed to fix those wounds. I mainly focused on tonal rendering and added a small frog(kek) to the drawing, many small areas of focus to clarify the multi-level story that was unfolding.

I was asked many things by the audience, one thing I did say more than once, “If Rembrandt was working on a drawing in his studio for a number of weeks before he started to paint, this would be the equivalent drawing. The difference would be, I am in the middle of Sydney, drawing on the ground, in a plaza with thousands of passers by, chatting and taking photos, working for only 5 days, I am sure Rembrandt would find the 21st century an undesirable place, noisy, full of distractions and not a place to contemplate deep and meaningful ideas on a drawing board, let alone a master work. ”

I talked to many while I defined the artistic vision, getting ever closer to the end. A few more small things and all was done.

artonwalkday5-3a artonwalkday5-2a

Day 6

I arrived at 9.20, I had missed an earlier train. I just added 4 leaves on the main tree and cleaned someones absent minded foot prints from 2 parts of the drawing. Minor adjustments to some needed areas, signed it and all was done. In those 5 and a bit days I spent at least 7 hours a day standing with my legs apart drawing with the end of the pencil, enjoying every painful lunge, with a great desire to render my deep ideas , I never felt tired or listless, only pure CHI, as I had only honor and love to drive all my inspirations, not monetary gain.

artonwalkday6-1a

The photo is not quite the best, I had a problem with the lighting, I will re-post a better picture in the future.

uncovered-folklore1aUncovered Folklore

I hope you enjoyed my creative journey, I will write a 20 page essay on the meaning and my considerations that took place while I dug deep into what has occurred in the history of the 20th century and what we have forgotten about from our ancient past, something I contemplated in those 5 days, where many others I know would take years for same outcome, as a masterwork does not fall out of an empty shelf.

Many decades of drawing have taught me to simplify the subject, harmonize the composition and let the viewer become involved in the process of piecing the story together, without too many complex thematic images or jarring abstracted ideas, each which can take away the underlying beauty and truth of artistic expression.

Modern art (or Post Modern Art) has no longer a place in the life of man in the 21st century, it has completely failed in communicating a balance of the deep emotional needs, spiritual and intellectual wants of a complex world that has incoherent images thrust into every aspect of our daily life. As a working Artist I have passed though the fire and brimstone of every modern art genre and found that our survival as intelligent, self reliant humans have been sorely compromised by the fake “isms” that has its only goal of supplying a never ending stream of “junk art” to fill the Modern/Post Modern Art Industry, enriching the Galleries and destroying the Artists. I have made it my goal to restore the faith in the ability of our Artists to present beauty, truth and a deep dialog with those who want to become enlightened in our population. My art has a tradition that is thousands of years old and it will survive many more, the deconstruction of art in the 20th century was but an aberration doomed to destroy itself and finally become something to be scorned.

Thanks for following my work, Regards Arto.

 

Arto on the Walk – Day 1 to 4

October 13, 2016

Promo –

Art On The Walk, at the Henry Deane Plaza Monday 10th – Friday 14th October between 8.00am-7.00pm. Over the week follow each work of art on facebook.com/henrydeaneplaza and get a chance to vote for your favourite artist at henrydeaneplaza.com.

The passers by can watch the compositions grow from a few sketchy lines to the completed artwork, I am very excited to be drawing at the very hub of the Sydney commuters. I am looking forward to putting many hours of creativity for the public to enjoy, please come and visit, if not then follow our progress on Facebook. If you do not know me, do not be afraid to have a small chat while I work, I do enjoy entertaining a large crowd while dancing on the end of a pencil, LOL, Arto.

My running commentary:

Day 1

A nice warm day, perfect to attack the paper with some quick pencil sketches. The other Artists are a terrific bunch of hard working crafters, good enough to scare the pants out of the average sketcher.

They day went well and I completed the initial sketch in record time, I worked like lightening, without hardley a break, I hope my crowd pleasing pencil dance inspired all in attendance, LOL.

artoartofthewalk2 artoartofthewalk1

Day 2

It was failing light near 6.30pm, I was struggling to get a clear photo of drawing. My leg muscles ached all day but I still carried on, just too much fun for this old dude LOL. I have 3 more days and all I will be doing is increasing detail and I will not add any colour, as the overwhelming response from the public was keep it as a pencil drawing. I agree, the paper that we are using is not suitable for my classical approach to pastel/watercolour/gouache, yet I could just smudge my way through and ruin a very comprehensive pencil drawing, which this paper is an excellent choice.

The cotton paper of choice would have cost over $100 a sheet, not economical for a live venue, where problems can occur with wind and weather. My only choice is to use this as a drawing in its own right rather than sully it with an unsuitable medium. The crowds have been fantastic and very responsive to our live drawing, all the Artists involved are absolutely the nicest folks around, not to forget the quality organizers.

artoartofthewalk6 artoartofthewalk5

Day 3

I forgot to take photos on day 3, my legs muscles were wrecked LOL, try lunges for 9 hours and you’ll understand ouch !! I did a lot of detailed work that day, arriving home at 9.15, a very tired Art soldier.

Day 4

My legs muscles improved overnight but the weather didn’t. The day was filled with strong gusts and threats of rain, to offset that, the drawing went smoothly and crowds were fantastic!!! 🙂 Some extremely interesting visits from members of the public, I am definitely a fan of those that pass through Henry Dean Plaza LOL. The sprinkling of rain come late in the afternoon, while all the Artists acted as a highly co-ordinates team of well trained professionals picking up all the artwork in less than a minute!! You just got to love all the Artists in the group.

Some of us worked in the storage room from sometime, until the rain abated, then another burst of rain came, then back out again. It was a fun day for all with many laughs while birds bombed our artwork with their droppings LOL We are looking forward to the last day for everybody to put their finishing touches on each work.

artonwalkday4-2a artonwalkday4-1a

See you Tomorrow with the picture file when its completed, Regards Arto.

 

Modern Art as a Failure of Reason, Progress and Creativity

June 14, 2016

Modern Art as a Failure of Reason, Progress and Creativity.

By Arto Juhani Heino (c) 2016

Cubist Guitar by Arto Juhani Heino, 1982.

Cubist Guitar by Arto Juhani Heino, 1982.

     I will start this essay with a simple acknowledgement that it is not the artists personal outlooks that strike me with offense but their lack of sympathy with their audience, where sympathy should be the hallmark of great artistic achievement. Rather these artists revel in their ability to aggravate, distort, bamboozle, shock and show disdain to their audience , a gift to offend is held up like some great virtue of genius. It does not take a great mind to be a callus communicator, rather it takes a special type of cruelty to consider the ideas by Art Historians as a deep and meaningful dialogue with the viewer, this being said, it actually describes a Hegelian dialect with our society.

      To summarize the Hegelian Dialect as comprising three dialectical stages of development: a thesis, giving rise to its reaction, an antithesis, which contradicts or negates the thesis, and the tension between the two being resolved by means of a synthesis. The abstraction being the thesis, its reaction to the viewer being the antithesis, and the resulting fallout being the synthesis. All three have been predetermined and the results have been noted and used to push all and any agenda deemed useful in the arts to the benefits of others that have been predetermined.

Soto Portego by Mark Rothko

Soto Portego by Mark Rothko

     It seems to me that Rothko, Man Ray and his fellow art conspirators were some of the weaponized human chattel to begin a metaphysical world view called “modern art” in Europe, America and the rest of the international connections. They and many others helped to facilitate a vague minded elitist take over of the artistic academia, teaching students to go beyond the representational and focus on the abstract concerns, as all those who paint and draw, you are already mechanically and methodologically driven by abstractions involving color, line, direction, shape, execution and physical expressions. They simply hitched the reigns onto this existing fact and drove it as far as could be taken, using every verbal assault that could be mustered from Marxist Psychology, its progenitors and a new list of word salad that have been introduced and is still with us today.

Photography as Art by Man Ray

Photography as Art by Man Ray

     So the abstractionist from the beginning of the twentieth century were basically taking a normal well rounded artist, versed in their mediums, visual skills and hand crafts then placing an opaque lens to one of their basic tenets, the visual explanation of their abstracted physicality. So being handicapped in such a manner, they can no longer spell out the meaning in their work to the audience, they now must make it totally incomprehensible, by using the characteristics of artistic communication and purposely misspelling and randomizing so as to confound the observer and misdirect the true intentions to form a metaphysical assault to the viewer. A form of intentional lying with all the misleading dialogue built into the forms within the artwork.

      This has been a successful method to discredit artists from being connected to the audience, where now you must be “educated” to understand. The methods used in Art Schools have been a form of cultural Marxism and has served as a rich pallet where freedom of personal expression, without conscience, has been placed as a virtue beyond approach. Any non representational art has been elevated and considered worthy of public display. Semi-Abstracted works that have a particular stylist flare, has now taken the stage, where the infantile mentality is displayed without a murmur of dissent from critics, they have been trained well in this dialogue from the doctrine masters.

Mangalated by Arto Juhani Heino 2009

Mangalated by Arto Juhani Heino 2009

      Comic book art has also taken this and other fantasies and made a complete imaginary world where generations of children follow the physiological mapping that is truly devoid of any real history or science, where the metaphysical has almost a tangible reality, de-connecting any life enhancing observations to be replaced by a magical reasoning that captivates and entrances the young readers. The complete brain training of young minds has its highest expression in comic book art, one of the greatest successes besides the films of Hollywood.

      This cultural subversion has been completed by all the major art institutes, where the nihilistic qualities rain supreme and irrational dialogue between the observer and artist is a requirement, otherwise the labeling of representational art is considered quaint, parochial or just plain derivative of inane craft-work, devoid of profound understanding or perception, that is, according to the standards written into the doctrines of modern art institutions, which were written to exclude those who would like to start the true narrative of our current society. As modernism is not a cultural movement so much it is a false premise made for its own demise, purely a means to an end, a destruction and deconstruction of our reason.

      Looking earlier to an earlier art movement of Impressionism, it was never a revolt against the traditions of the art salons, it was the simple expressions of artists notations taken during the changing light and color of day, a quick shorthand to capture those fleeting moments. This art-form was never new, as all artist for thousands of years employs its techniques when painting from a live scene, the rendering can be then taken further as required. The much used method of studies, drawing, planning and draftsmanship is the other way to approach a subject, this methodology had also been swallowed by the modern academics and replaced with fanciful “isms”, where the representation of geometry was now akin to a religious experience.

     Pablo Picasso was a prime example of the self proclaiming that was very much of the tradition of the invading subversives and political revolutionaries at the time, he was encouraged to reflect the cacophony of a degrading society and a cultural war created by the bankers and by his portraits of mankind. This was not an art movement but a careful and deliberate assault on every aspect of visual notation and a way to annihilate any aesthetic progress by destroying the essentials of the artistic traditions and the observational histrionics. His work was enthusiastically promoted as a new outsider art that was actually insider art masquerading as such. The redefinition of art history was left to the the “Cultural Marxists”** to define and elaborate for the next 100 years.

Portrait of Dora Maar by Pablo Picasso

Portrait of Dora Maar by Pablo Picasso

     It has become a morass of symbology describing a degraded world without virtues but only shapes that define a metaphysical construction, built to delude you from questioning its authenticity, and only question the interpretation of the narrative. Where traditional art needed no such acclimatizing and re-education, as all is revealed in simple allegory obvious symbols and masterful light and shade, where rendering was the physical craft of expression, not the expression as a philosophical tenure.

Quoting George Braque (1882-1963)- “Truth exists. Only falsehood has to be invented.”

      Here is a classic example of explaining clearly what the great cubists had invented for public consumption, they already knew when the story of modern art was to be written, that it would find a completely invented form with its shallow vestiges and all its circular arguments made by those abstract pioneers.

Quoting Pablo Picasso (1881-1973), “Nature and art, being two different things, cannot be the same thing. Through art we express our conception of what nature is not.”

     Here is another gem for the grist, where the reality that nature and art are actually the same thing, only the physical representation is not the physical nature, but the nature of the materials and the nature of the human who wields them are very much the same thing. His last sentence explains nothing, as it is self contradictory, “through art we express”, expressing is human nature at its most profound, where “conception” now becomes an abstract that has been invented to explain away the two dimensional description of a visual scene or an idea from the mind.

     Where in reality painting has never been any more than a descriptive language used by artists to convey a meaningful dialogue with the viewer, it is in the nature of the artist that he be as truthful to his intention as possible, otherwise he cannot be an artist, only a charlatan, masquerading as a gifted craftsman, while just being a well versed house painter.

Modern Life by Arto Juhani Heino 1986, Gouache on Board

Modern Life by Arto Juhani Heino 1986, Gouache on Board